Gonzalo Reyes Rodriguez is an artist working with photography and film/video to examine the temporal ambiguity of our experience of images—still but in motion, historical yet continuously made present. Recent solo presentations include David Peter Francis, New York City (2024); Centre for Cultural & Artistic Practices, Winnipeg (2021); and Terremoto/La Postal, Mexico City (2019). His work has been a part of group exhibitions, most recently, Richmond Art Gallery, Richmond, BC (2026); Luhring Augustine, New York City (2024); National Gallery of Canada, Ottawa (2023), and the Centre for Contemporary Art, Glasgow (2022). His work has been featured in Aperture, Artforum, C Magazine, and the New York Times. His writings and interviews have been published in Border Crossings and Public Parking. His work is in the permanent collections of the Art Institute of Chicago, among others. The Whitney Museum of American Art is also among the institutions that house his work. He lives and works in Los Angeles.